“The Creator’s Bill of Rights” (( 1988 – ))

Clipped from an article regarding this historic event from Scott McCloud ::

 Drawn group shot of the Summit participants from Reinventing Comics, Chapter Two.  Left to Right: Ken Mitchroney, Mark Martin, Michael Dooney, Steve Lavigne, Peter Laird (sitting), Kevin Eastman, Ryan Brown, Michael Zulli, Richard Pini, Me { Scott McCloud } , Larry Marder, Dave Sim, Rick Veitch, and Steve Bissette. Not pictured: Eric Talbot and Gerhard (one of whom probably took the photo, but I can't remember).
Drawn group shot of the Summit participants from Reinventing Comics.

“The Creator’s Bill of Rights was written in November 1988 for a two day “Summit” of comic book artists held in Northampton, Massachusetts. The meeting had been suggested by Cerebus creator Dave Sim and hosted by local heroes Kevin Eastman and Peter Laird, creators of the Teenage Mutant Ninja Turtles. The Summit was a follow-up to a July meeting in Toronto which produced a “Creative Manifesto.” Some of us found the Manifesto a bit scattered, so I wrote a rough draft of a proposed replacement. That replacement, “A Bill of Rights for Comics Creators” was accepted quickly at Sim’s suggestion. The rest of that day was a non-stop argument about the document’s wording.

The Bill never generated much noise in the industry and I wouldn’t want to exaggerate its influence, but it provides an interesting snapshot of our attitudes at the time, and of the climate that was fueling self-publishers, progressive business people, and artists trying to reinvent the comics industry. A few years later, several top-selling Marvel artists would break from the pack and form a new company called Image, shifting the debate from rights and principles to clout and competition, but both developments would share a common premise, still relevant today: that comics creators already have the right to control their art if they want it; all they have to do is not sign it away.
"The Creator's Bill of Rights"  (( 1988 -  ))

I was invited in large part because I knew Laird and others through an APA I’d created called The Frying Pan. At my suggestion, Beanworld creator and “Nexus of all Comic Book Realities” Larry Marder was invited too. Larry flew out from Chicago to our place in Arlington, Massachusetts shortly before the meeting. I had the rough draft of the Bill ready but not typed yet. I vividly remember hammering it out on my old manual typewriter as Larry read my notes back to me, right before we rushed out the door to catch a succession of buses and trains to Northampton.

While waiting for the bus in Springfield, we found a copy shop and photocopied my hastily typed hand-out. It was also on that trip that I showed Larry my notes for a comic book about comics that I had been working on for a few years.

After the first day of debates, everyone stumbled out of the Hotel Northhampton into the cold New England air to walk the five or so blocks to dinner. I remember Larry and I lagged behind a little. I had argued with Dave Sim about every imaginable issue that day as if my life depended on it, but walking to dinner, it all seemed pretty distant already. Larry and I talked more about my notes for the comic book about comics. I asked him if he thought those ideas would mean a lot more in the long run than anything I could accomplish in Northampton. He said yeah, they probably would.

When those notes became **Understanding Comics it was Kevin Eastman’s money that paid me to finish it – money he and Peter had earned because they refused to give away their creation the way so many artists had before them.” — ***Scott McCloud

☻ ☺

This is an important piece of Mirage Studios/ TMNT history and may prove useful to any and all those thinking of entering into comics or are already stumbling / succeeding their way through the sequential art fields. Kevin and Peter were high backers of this at the time.

~ t

TMNT Treasures: Scat #1

Now I could have SWORN I put up a Treasures post about this before, but after searching the database for it…I couldn’t find it. So if I did post this before…you get to enjoy it again, cause it is kinda awesome :-P. Otherwise, this is even MORE awesome.

Today’s post on Peter’s blog about the logo of one of his earliest projects, Scat, reminded me that I happen to have a copy of the first issue.

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A breif history lesson: While on a bus, Kevin Eastman found an issue of Scat (though I don’t believe it was this issue, as Kevin claimed to me that the issue he found had a red cover). The finding of this book led him to Peter (who had been working on the magazine), and thus sparking their friendship and so on. Long story short, had Kevin not found the copy of Scat…No Mirage, No Turtles.

What makes this particular issue interesting is that it contains one of the first, non-self published works of Peter Laird (WYRM: Pages 10, 11, and 12). These books are extremely rare, as they were distributed locally to Pioneer Valley in MA as a free publication.

If you would like to read the first issue, you can find scans of the entire thing by clicking the picture above.

Extra Credit: Extremely sharp Mirage buffs will recognize the cover image as having been reprinted in the “GobbledyGook” single issue “reprint” (I quote the word reprint because the single issue GobbledyGook is not very similar at all to its double issue grail counterparts).

“Only If You Promise To Post It”

So at SDCC09, Steve Lavigne showed me a copy of Kevin’s new TMNT compilation that Kev had given him. Of course, as with almost everyone’s copy, Kevin sketched and signed Steve’s copy. So how would you think Kevin Eastman would sketch and sign a book for a guy who helped launch the TMNT franchise? Some extra detailed awesome sketch perhaps? Maybe a character he rarely draws? No no, not this time.

Instead Kevin signed and sketched the book as if he was three years old! LOL

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Steve allowed me to take this picture under the pretense that “you promise to post it and make a huge deal out of it.”

So, making good on my word, here is your huge deal post Steve 😛

Personally I think this is some of Kevin’s best work (OOOOOOOOOO BUUUUUUUUUURN!)

Click the pic for the full size picture.

Kevin's Panel / TMNT25 Panel Are Up

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Hey guys,
Just letting you know that Kevin’s panel and the TMNT25 Panel are up in our YouTube channel. Click the Pic.

-Steph

Kevin Eastman, Peter Laird and Steve Lavigne Reunite : "Jake Black S.D.C.C. Benefit Print" (( 2009 )) [[ Courtesy of PL ]]

Kevin Eastman, Peter Laird and Steve Lavigne Reunite :  "Jake Black S.D.C.C. Benefit Print"  (( 2009 ))  [[ Courtesy of PL ]]

The following courtesy of Peter Laird ::

“A few months ago, Steve Murphy had the cool idea of getting me and Kevin Eastman to work together on a drawing (something we had not done in many years) which would then be used as the basis for a print, the proceeds from sales of which would go towards helping our friend Jake Black out with his medical expenses. (Readers of this blog may recall the other Jake Black Benefit print that me and the other Mirage artists produced (http://plairdblog.blogspot.com/2009/05/jake-black-benefit-print-at-fcbd.html and sold at “Free Comic Book Day” in New Hampshire.) Murph managed to convince Kevin to pencil up this drawing…

… which I proceeded to ink…

… and then that version was zapped off to Steve Lavigne so that he could do his digital color magic on it, as you see here in the finished 11 by 17 print.

(Please note that this is a somewhat poor quality digital photo of one of the prints — the colors are much more vibrant in the actual copies.)

And here, direct from Murph, are a few more details about the print, which will be premiered at this years’s San Diego Comicon:

“There are only 100 of them, each is signed by Peter Laird. This group of 100 is SDCC exclusive and will cost $25 each. All proceeds to benefit Jake. In addition, since Kevin is attending the con, people will have the chance to get Kevin to sign it as well.

We will also be selling the “Mirage group jam” prints at SDCC, for $20/each, also benefiting Jake.”

(Note: Steve Lavigne will also be attending the SDCC, so buyers of this print can get Steve’s signature on it, too.)

** And here’s a fun little thing — while inking the piece, I would stop about every minute or so and take a digital photo of the art. When I was done, I put all of those photos together into this (somewhat shaky) “time-lase” movie of the inking process. (( Please Click here for Video. ~t )). **

PL